Features the best in GLBT short films from around the world. Hosted by Jonny Staub and Dianna David, this series takes you through a film festival experience like no other.

The comedy group Firesign Theatre satirizes the old Saturday afternoon cliffhangers by taking clips from many Republic Pictures serials and substituting their own comedy dialogue.

Exploring a common theme 'India Is a Visual Journey', 'Shorts' is a compilation of 5 short films that focus on things that are quintessentially Indian.

暂无剧情简介

Short comedy sketches where anything goes in terms of plots and themes.

Ferdinand is a long-standing employee at Fish Land, the aquatic centre within the globalised leisure complex "Worlds Apart". He's a small, bald forty year-old, and a solitary, anxious introvert, entirely devoted to his passion for fish. But Ferdinand's obsessive little existence is turned upside down the day Fish Land closes down for six months of renovation. He is transferred to another section of "Worlds Apart", the Finnish-Turkish Delight spa, entirely geared towards the pleasure of saunas and steam rooms. Ferdinand is suddenly thrown into a world of nudity, sensuality, relaxation and letting go... In short, everything he could possibly be afraid of! HOT HOT HOT is the belated journey of initiation of an inhibited little man, who slowly but surely learns to open up to the pleasures of life. It paints a colourful yet sensitive picture of a world caught between artificiality and authenticity, between norm and peculiarity.

A tormented artist has just three days left under house arrest when a friend stashes a backpack full of stolen drugs in his home.

三年間、雨が一滴も降らないため人々は町のボス・シルバーから水を買っていた。だが、そんな中でフロートバイクを乗り回し、シルバーカンパニーの車を狙っている女がいた。彼女の名はピンク。何度も水を盗まれているシルバーは怒って、保安官のブルーに犯人を捕えさせようとするが、手がかりはフロートバイク一つだけだった。ピンクは前からブルーに惚れていて、一方のブルーはそのピンクが犯人だと知る由もなかった。そんな時、箱を見つけたピンクは、その中にあったレインコートや長ぐつ、それに水玉模様のカサに心をときめかす。ピンクは雨というものを知らないのだった……

Based on a true story, this coming-out story with a difference follows a young man fleetingly reconnecting with his father who has just been released from prison.

Second unit director Jonas Govaerts interviews Stanley, principle cast, and the producers about the making of the film. Wonderfully structured, “Hot Pink Horror” takes the audience through why this story was selected, how Stanley became director, how Cage became involved, why they shot the film in Sintra, Portugal, and much more. Even though 20 minutes doesn’t seem like much, Govaerts packs such a great deal of details on production, both creative and technical, that it’s almost a bit like a mini film school. If you really dug Color Out of Space, this is the piece to dive into and enjoy.